Sometimes on family occasions someone gets the idea, we need to take a photo. Everybody has to come together and stand in front of the house or any other great background the idea person choose. Then the group has to move to the left or right, people have to switch positions and move again, because now the light has changed. These can be a very annoying photo shoot everyone just wants to get over with. But what about moving the photographer? The photographer is only one person to move. And by moving the photographer new angles will come up with new light situations and probably more interesting photos. Interesting enough the photographer tends to stand still, nailed to the ground and wondering why the photo wouldn’t work instead of changing his/her position. That happens not only with family photos. It’s the same with buildings, wildlife, holiday photos, actually with all sorts of photos we take. Sometimes something caught our eye and we want to capture exactly that, but the light has changed until we got our camera ready or somebody walked into the composition. We definitely have to move to get anything out of it then. So it probably boils down to being fast enough to avoid moving the photographer around. But maybe only in these eye catching situations. With the family photo it might be, because nothing had caught our eye yet and by positioning the people we try to create an eye catching situation or with famous buildings we think we need to photograph them, although they do not catch our eye yet. That means in essence that the photographer is in the absolute right position when something catches his/her eye and doesn’t need to move, shouldn’t move at all. If there is no eye catching moment, the photographer has to move until he/she experiences and eye catching moment with the subject and then they can stop moving and start shooting.