“For me photography was a mean of drawing and that’s all. Immediate sketch, done with intuition and you can’t correct it. If you have to correct it, it’s a next picture. “ (Henri Cartier-Bresson, The Decisive Moment)
Henri Cartier-Bresson is considered to be the father of modern photojournalism, yet photojournalism has a lot in common with wildlife photography. When you are on a photographic safari in the Masai Mara in Kenya with a wildlife photography course assignment photographing movement and you luckily come across a hunting lion, do you think you can ask the lion to do it again, because you are not happy with the photo? Of course not, the moment is gone, just like in photojournalism. Your next picture captures or draws a new moment and just be always ready for the moments that might come.
Wildlife photography done during team building photographic safaris shows even how an entire group of people can align during a few game drives to be in some kind of same flow of immediate sketches telling the story of a day of wildlife photography and at the same time the story of the people, the photographers.
The sketches are the photos and they show the subject and the photographer at that very moment, ready or not for the hunting lion or the man on the street making a certain gesture. “Life is once, forever” (Henri Cartier-Bresson) also in wildlife photography.